lunes, 16 de junio de 2014
Ken LaBrie has one of those rich smooth voices, but at least he can alter it to suit the mood. Lost & Found has some very traditional material (such as ‘My Tribute’ and a hymns medley), but there are also a few notable light-rock singer/songwriter moods, like the organ-backed title track, the soft acoustic ballad ‘Jesus Died’ or the folky ‘I’ve Got Something’. ‘The Medicine Bottle God’ talks about our tendency to use God only when we need him, after which we put him back on the shelf. One cut in particular really stands out: ‘Listen’ has a harder rock edge that features heavy electric guitar and organ passages. Ken on lead and rhythm guitar, others on drums, harmonica, bass, piano, organ and additional lead guitar. A few catalog numbers down from the same-label Concrete Rubber Band lp. (The Archivist, 4th edition by Ken Scott).
Gong est Mort, Vive Gong is a live album by the psychedelic rock group Gong. It is a double LP recorded 28 May 1977 at the Hippodrome, Paris, France, and released by Tapioca Records, France in 1977.
The concert was a partial reunion of the version of the "Angel's Egg"-era group with the return of Daevid Allen, Gilli Smyth, and Steve Hillage who had left Gong in 1974 and 1975, respectively, and were not part of the then-current Gong which would eventually change its name to Pierre Moerlen's Gong. Gong appeared as the headlining act in a 24-hour marathon festival; a poster advertising the event can be seen in the photo collage included with a later album, Gong Live Etc. During the concert, all the music from four entire albums was performed: Camembert Electrique, and the three albums of the Radio Gnome Invisible trilogy. Some songs are presented in extended arrangements, therefore the album documents less than half of the entire performance.
A Pittsburgh garage band whose high point was opening for a Rolling Stones concert in 1965. They might have been total unknowns in the grand scheme of things, but they actually managed to cut a few mostly self-penned singles on local labels in 1965 and 1966 that are well respected by '60s collectors. The trio featured two guitarists and a drummer -- a bass-less lineup, which is a rarity in rock music. Some of their singles were recorded at a local radio station, and indeed the crudeness of the production is fascinating, with mounds and mounds of reverb making the band sound like nothing so much as a garage punk version of Peter & Gordon. After five singles and an album, the group disbanded and evolved into the Swamp Rats, a harder-edged combo relying almost exclusively on nasty punk versions of big rock and R&B hits.
Publicado por Woody en 20:23
lunes, 14 de abril de 2014
Heavy underground rock with great composed songs, fuzz guitars, speedy drums and tight bass lines.
If you think The Litter is the one you should listen to Jokers Wild.
Publicado por Woody en 22:17
Ya Ho Wha 13 a.k.a. Ya Ho Wa 13 were formed in 1969 in the Los Angeles area by one of the most eccentric freaks of the time, a middle-aged beatnik called Jim Baker who believed himself a god and went by the nickname of Father Yod. Their extreme psychedelic sound, that employed tribal drums and distorted guitars in a deliberately childish manner (all unrehearsed live and with no overdubs, editing or design), was the ultimate product of the hippie era.
The band (tighly related to Father Yod' religious cult, the "Source", and to a vegetarian restaurant located in Hollywood) frequently changed name to The Savage Sons of Yahowha, Yodship, Fire Water Air, Spirit of 76, but the key players were always the same (Djin Aquarian on guitar, Octavious Aquarian on drums, Sunflower Aquarian on bass, and occasionally Sky Saxon of the Seeds).
Publicado por Woody en 20:09
Recorded on rudimentary equipment at Holyground studios in Wakefield in 1971. One of the first truly independently produced albums to be released in Britain, the album featured wonderful compositions such as Everyone’s Hero, End of the Seasons, Love’s a Way and Smiles . Championed by John Peel, the album paved the way for Bill’s future career with his bands Be Bop Deluxe and Red Noise and for his highly regarded solo career.
Publicado por Woody en 18:57
sábado, 12 de abril de 2014
MUSHROOM are a music collective based in the San Francisco Bay Area, known for an ever-changing lineup of rotating players. Alec Palao (bass), multi-instrumentalist Erik Pearson and drummer Patrick O'Hearn aka Pat Thomas shape the band's core since the beginning in the late 1990s. In collaboration with Graham Connah (keyboards), Tim Plowman (guitar) and Kurt Statham (bass) the first album 'Alive And In Full Bloom' was recorded around 1997/98 and released by Inbetweens Records.
'Never make the same album twice' - this seems to be the band's motto up to now. So their huge musical output is basically derived from improvisational sessions comprising a thrilling blend of styles in total. Where acid psych folk is the fundament, they often combine this with jazzy respectively canterbury moments reminiscent to Gong/Daevid Allen and Miles Davis. Mostly provided with a trippy atmosphere the albums can be considered as really special. The rich instrumentation includes diverse ethno percussion instruments. Due to the band's experimental attitude they are even sometimes classified as a krautrock outfit.
Appearing one year later 'Analog Hi-Fi Surprise' is frequently considered as their discog highlight. MUSHROOM's latest production 'Naked, Stoned & Stabbed' was released by UK label 4Zero Records. Ned Doherty (bass), Matt Cunitz (keyboards), Dave Brandt (percussion) and Josh Pollock (guitar, electronics) are additionally aboard this time to produce another relaxed album holding a great deal of improvisation.
MUSHROOM are worth remarking if you like to enjoy psych music which is presented off the beaten path.
Publicado por Woody en 11:45