viernes, 8 de abril de 2016
The Backwards are one of the best kept secrets of the '80s Italian underground. They were from Genoa, a large city but not close to the major centers of underground music in Italy at the time such as Torino, Florence and Rome. The band was the brainchild of a young medical student by the name of Pierpaolo Rizzo. The sound was a combination of Syd Barrett fronting Pink Floyd, the Electric Prunes and the Church all at the same time.
In other words, catchy songs with tremolo-laden fuzz guitars and trippy vocals.
Eerie Thoughts Collection Pt 3 was their first album released in 1990, which makes up the first 16 tracks of this CD. Their first demo tape, released in 1989, a year before their first LP, was known as Real Life Permanent Dream and included songs originally recorded by some of their idols such as the Creation, the Byrds, Chocolate Watchband and Robyn Hitchcock.
They make up tracks 17-26, and are a great mix of originals and cover tunes by the above mentioned bands. The final four tracks are taken from their 1992 Delerium Records cassette album Or So It Seems, and their unreleased 1993 LP The Ocean Inside.
Publicado por Woody en 12:08
lunes, 4 de abril de 2016
'Mindscrewer' Lp recorded at Magic Frog Studio (Brescia) from 18 th April to 4 th May 1988. Released by Tramite, a small indie-label from Brescia run by Jean Luc Stote and Guido Biagi, the album contains a handful of inspired and brilliant songs. It's a record of acid and visionary psychedelia, full of dreamy and sometimes dynamic sonic solutions with the three musicians taking turns at the microphone, thus enriching its musical spectrum.
The whole Sixties universe is explored in this incredible journey of a thousand colors: from the light and shade of Tulips Of Harlem to the imaginative energy that flows in She's Crumblin'Down; from the garage-psychedelic mixture of Dumb Generation to the rock'n'roll driving of You Shock My Heart through the kaleidoscope of lysergic numbers such as It Gets Wasted and Fire Illusion .
In between there are three great covers: Nazz's Wildwood Blooze, Kim Fowley's Bubblegum , and the Frantics' Her And Her Mountain.
viernes, 1 de abril de 2016
No Strange is an Italian rock group influenced by psychedelic music that combined elements of rock and cosmic music. It was formed in Turin in 1980 by Salvatore Ursus D'Urso and Alberto Ezzu.
At the beginning they play a kind of comedy Punk and they are called NoStrani, but soon they turn to a psych sound and release a demo called 'Rainbow' in 1983 and another one in 1984 called 'Lisergic tomahawk' attached to the Roller Coaster 's fanzine.
At this point the band start their collaboration with Giulio Tedeschi, boss of the Toast Records.
In 1985 No Strange release with his label, their great debut album simply called 'No Strange' (known as 'Trasparenze e Suoni' as well). Their sound is something absolutely original and they take part in the Neo psychedelic Italian scene whose interest was in the sound but also in the air-cut and clothes of British and American bands of 60s and 70s. No Strange benchmarks included the first Pink Floyd, Brainticket, Soft Machine and Third Ear Band but mainly the early works of Tangerine Dream, Ash Ra Tempel and Popol Vuh, with whom they shared a common musical and spiritual quest.
One year later they release a single "White bird"/"Fiori risplendenti" and then in 1987 they record their second album 'L'Universo' and in the meantime they give a song for the historical compilation 'Eighties Colours' made by Electric Eye Records and are involved in a double Lp compilation called 'Oracolo' recording an entire live side!
Away from any kind of 'revival' they prefer to create a new original sound even inspired from the late 60s and the early 70s. This will be confirmed again from their third album 'Flora di romi' released in 1991.
No Strange start to work on this album from 1988 with a different line up made from Laura Tommasi (winds), Paolo Avataneo (bass guitar), Sandro Becchis (guitar), Pino Molinari (keyboards), Lucio Molinari (percussions) and Ursus (vocals). Artistic production and arranging will be made by Alberto Ezzu.
In 1992 the band has a long break, except for a mini album released in 1998 called 'Medusa' and played from Ursus,Tony D'Urso (Ursus brother's) and Fabio Maffia at the keyboards... Until 2008, when Ursus and Alberto Ezzu decide to reform No Strange along with Pino Molinari, Lucio Molinari, Tony D'Urso and Paolo Avataneo. That's a mix of the many line ups the band got in the 80s. Later Rosalba Guastella join them as choralist.
And finally, nowadays, they record this a fresh and dreamy sound, moody original new album!
martes, 15 de marzo de 2016
Rare US experimental psychedelic rock 1980 Private Press.
Terry Censky and Patrick Burke are The Parasites of The Western World.
Publicado por Woody en 12:00
EFFERVESCENT ELEPHANTS - From the end to the beginning [ITA psychedelic] 2010 Psych-Out Records PO-CD002
This cd includes songs from the most significant tapes of the band recorded from 1990 back to the 80’s .It’s about recordings that were created in a garage and they suffered from the damage of time. There are even some tracks which were lost in the band’s archives but that confirm the Effervescent Elephants as one of the best groups of Italian neo psychedelia.
martes, 23 de febrero de 2016
Seattle garage trio Night Beats make their Heavenly Records debut with their brazen third LP, Who Sold My Generation. Fronted by guitar slinger Danny Lee Blackwell, Night Beats have amassed a fairly substantial catalog in their six years together, issuing a variety of different singles and compilation tracks alongside their two previous albums. With regard to their overall sound, not a great deal has changed since they first dropped their debut single, "H-Bomb," in 2010. Their talent for brash, riffy psych-rock with plenty of attitude remains their greatest strength, and their marriage of Nuggets-era sounds with the contemporary lo-fi aesthetic of 21st century garage revivalists puts them in league with other prominent West Coast acts like Thee Oh Sees and Ty Segall. As on 2013's Sonic Bloom, reverb is king and Night Beats' swagger is captured here in a thick cacophony of the stuff as Blackwell's ace guitar work bounces wildly around the room on standouts like the free-ranging "Sunday Mourning" and the hooky single "No Cops." With its radio static, vintage broadcast samples, and spoken incantations, experimental opener "Celebration #1" sets a freewheeling, almost anarchistic tone and Night Beats do manage to maintain that energy, if not the mischievous intent, throughout the album. Like a lot of bands playing in this ultimately familiar style, there's a feeling that they probably slay it on-stage, harnessing the energy of a wild bar crowd and working their vintage rock magic. On record, they do retain some of that magnetism, but much of their songwriting seems to simply serve their musical style without making that much of an impact. There are exceptions, of course, especially with album closer "Egypt Berry," which is easily this album's strongest track. Who Sold My Generation certainly has all the right moves and is probably Night Beats' best album to date, but to get the full effect, look for them on tour.
viernes, 5 de febrero de 2016
Dwight Twilley was one of the best and most influential figures on the Southern power pop scene, and unlike Big Star, the Scruffs, or the Sneakers, he achieved that most cherished pop music accolade, a hit single, and not once but twice ("I'm on Fire" rose to number 16 in 1975, and "Girls" managed the same feat in 1984). However, Twilley was just successful enough to end up having record company problems, and his best work has been scattered over several albums for different labels. The fine Australian reissue label Raven Records has pulled together the highlights from his albums for Shelter, Arista, and EMI-America, and On Fire! The Best of 1975-84 is a superb collection of his beautifully crafted Beatlesque pop tunes. Unlike many Southern power poppers, Twilley clearly loved the British Invasion style while revealing equal comfort with the sounds of his home territories, and the rockabilly accents of "TV," the subtle but swaggering "I'm on Fire," and the funky beats of "Feeling in the Dark" made clear out of the box that this wasn't another guy aping the Fab Four, and when he did write straightforward pop tunes, he did so with smarts and imagination, and he was a very impressive rock & roll singer, too. The first 13 tracks of On Fire! are drawn from Twilley's recordings with early collaborator Phil Seymour, with plenty of representative cuts from their albums Sincerely and Twilley Don't Mind, as well as the long-unreleased track "Shark (In the Dark)" and the single "Somebody to Love," drawn from sessions for an unreleased album with Jack Nitzsche. The rest of the album is taken from Twilley's first three solo efforts (Twilley, Scuba Divers, and Jungle), and if his occasional reliance on synthesizers and drum machines dates the production (Roger Linn, who invented the Linn Drum Computer, played in Twilley's band), the songs are as savvy and satisfying as ever, and while "Girls" was a hit single, by all rights "I'm Back Again," "Alone in My Room," and "Don't You Love Her" should have enjoyed the same success. With the fine career overview XXI out of print, On Fire! is arguably the best introduction to Dwight Twilley's classic pop music you can buy, and it's 77 minutes of pop and rock bliss that anyone with a taste for a great hook and a good lyric will love.